Domenichino
1581-1641 Italian Domenichino Locations Italian painter and draughtsman. On the basis of his frescoes and altarpieces he became established as the most influential exponent of the 17th-century classical style. Through his critical analysis of the art of Raphael and Annibale Carracci he was influential in the creation of a modern canon of the ancients; and he was perhaps the most complete example of a 17th-century artist struggling to reconcile tradition with the demand for spectacle.

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Domenichino Recreation by our Gallery oil painting


Recreation by our Gallery
mk79 1614
Painting ID::  32575
Domenichino
Recreation by our Gallery
mk79 1614
   
   
     

Domenichino The Assumption of Mary Magdalen into Heaven oil painting


The Assumption of Mary Magdalen into Heaven
mk86 c.1617-1621 Oil on canvas 129x100cm St Petersburg,Hermitage
Painting ID::  33559
Domenichino
The Assumption of Mary Magdalen into Heaven
mk86 c.1617-1621 Oil on canvas 129x100cm St Petersburg,Hermitage
   
   
     

Domenichino The Maiden and the Unicorn oil painting


The Maiden and the Unicorn
mk86 c.1602 Fresco,Rome Palazzo Farnese
Painting ID::  33579
Domenichino
The Maiden and the Unicorn
mk86 c.1602 Fresco,Rome Palazzo Farnese
   
   
     

Domenichino Saint George Killing the Dragon oil painting


Saint George Killing the Dragon
mk170 circa 1610 Oil on wood 52.7x61.8cm
Painting ID::  43088
Domenichino
Saint George Killing the Dragon
mk170 circa 1610 Oil on wood 52.7x61.8cm
   
   
     

Domenichino Landscape with Tobias as far hold of the fish oil painting


Landscape with Tobias as far hold of the fish
mk234 probably ca 1617-18 45x34cm
Painting ID::  53788
Domenichino
Landscape with Tobias as far hold of the fish
mk234 probably ca 1617-18 45x34cm
   
   
     

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     Domenichino
     1581-1641 Italian Domenichino Locations Italian painter and draughtsman. On the basis of his frescoes and altarpieces he became established as the most influential exponent of the 17th-century classical style. Through his critical analysis of the art of Raphael and Annibale Carracci he was influential in the creation of a modern canon of the ancients; and he was perhaps the most complete example of a 17th-century artist struggling to reconcile tradition with the demand for spectacle.

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